America Martin: Solo Show
November 1-30, 2025

America Martin is inspired by form and figure as depicted by the Modernists of the early 20th century. A concentration on line using flat color reduces her subjects to their simplest shapes, highlighting the beauty and strength of a moment. The moments in this show focus on relationships: between that of mother and child, the embrace of a lover, or the bond among friends.  

America Martin is represented across the country and internationally collected. She is based in Los Angeles and rural Maine.

Priscilla Robinson: Between
December 6-January 4, 2026

Opening reception on Saturday, December 6 from 6 to 8pm

Exploring transitions, Robinson is drawn to the spaces where dark becomes light, the front becomes the back and up becomes down. These spaces are charged with ambiguity as well as potential; they can contain a defined edge or a gradual shift. Robinson's latest work focuses on the complexity of these between spaces and their relation to the world around us.

Robinson has lived on the California coast and in northern Norway, but now spends her time between her studios in central Texas and northern New Mexico - where light, sky, land and sea all meet in contrasting horizons. These disparate environments inform her work and her life.

Malcolm Bucknall: My Make Believe
January 10-February 1, 2026

Born in Twickenham, England in 1935, Bucknall's early interest in art led him at the age of eighteen to India and Santiniketan, the Ashram of Rabindranath Tagore, then to Chelsea Art School, London, the University of Texas (BFA), and the University of Washington (MFA). Upon this rolling stone foundation, Bucknall’s absurdist Surrealism muddles Old Masters with tid-bits of cartoons, films, home photography and many other fascinations to create his anthropomorphic creatures. Bucknall feels that our observation of animals, as with art, is from the outside. In them we see predator devour prey, lovers join with unembarrassed abandon; we see birth, nurturing, the feathering of nests, death—all at a remove from ourselves yet mirroring our own deepest libidinous instincts, hopes and fears. Human-animal imagery has been a constant in art, folklore, religion, daydreams, and masquerade.  It takes us quickly and easily to what is deep and difficult in ourselves. Bucknall aims directly at this sweet spot, a concoction of visual imagery that sums up common experience—love, fear, gawkiness, triumphalism, self-recognition. In this he reawakens a childlike sense of surprise and discovery, and put simply, calls us to wonder.