Ricky Colson

click images for detail

<b>Bones will crumble</b>, 2010<br>Oil on linen, 30x30 inches<br>$2400
Bones will crumble

<b>What Casey Found There</b><br>Oil on canvas, 30x40 inches<br>$2400
What Casey Found There

<b>Casey by the Wires</b><br>Graphite, 18x24 inches, 33x36 inches framed<br>$800
Casey by the Wires

<b>Khoa Sitting on Pennies</b><br>Graphite, 18.5x24.5, 27x33 inches framed<br>$800
Khoa Sitting on Pennies

<b>Can Opener</b><br>Oil , 9x12, 11x14 inches framed<br>$500
Can Opener

<b>Oven</b><br>Oil , 9x12, 11x14 inches framed<br>$500
Oven

<b>Stove Pot</b><br>Oil, 12x9, 14x11 inches framed<br>$500
Stove Pot

<b>Stove Top</b><br>Oil, 9x12, 11x14 inches framed<br>$500
Stove Top

<b>Promiscuous Bunch</b>, 2011<br>Oil on canvas, 22x28 inches<br>$2200
Promiscuous Bunch

<b>Dash of Cinnamon</b>, 2010<br>oil on linen, 30 x 40 inches<br>$2900
Dash of Cinnamon

<b>Light Switch</b>, 2007<br>Oil on canvas, 14x11 inches<br>$1200
Light Switch

<b>Andre & the Toaster</b>, 2009<br>Charcoal, 24x18 image, 33x27 inches framed<br>$800
Andre & the Toaster

<b>Sugary Sean</b>, 2008<br>Graphite & Gouache, 24x18 image, 33x27 inches framed<br>$800
Sugary Sean

<b>Lingerie Drawer</b>, 2008<br>Graphite, 7x14 inches<br>$500
Lingerie Drawer

<b>Laundry Door</b>, 2008<br>Graphite, 11x12 inches<br><i>sold</i>
Laundry Door

<b>Dental Trail</b>, 2008<br>Graphite, 11x14 inches<br>$500
Dental Trail

<b>Bathroom Sink</b>, 2008<br>Graphite, 14x5 inches<br>$500
Bathroom Sink

<b>18 Large</b>, 2009<br>Graphite, 14x11<br>$500
18 Large

<b>Incandescent</b>, 2009<br>Oil on canvas, 30x20 inches<br>$1800
Incandescent

<b>Cliffhangers</b>, 2009<br>Oil on linen, 20x16 inches<br>$1600
Cliffhangers

When I was young I envisioned myself as a miniature person--a toy figure standing only a few inches tall. Man-made objects like pillows were transformed into massive geological landmarks. I turned my room into a vast, all-surrounding, natural landscape. In an attempt to explore this frontier, I would act out my immediate desires of adventure and power.

I am reexamining that concept within my work. My drawings and paintings meld traditional realism with an adolescent point of view. They immediately evoke the visual scale of the 1957 movie The Incredible Shrinking Man, a story about a toy sized man who struggles to stay alive. With this film acting as a visual foundation, I focus on concepts of idealism from both a childhood and adult perspective. Using domestic imagery straight from the colorful backgrounds of Tom and Jerry and other media I am able to quickly engage a contemporary audience. My goal is to conjure up a sense of nostalgia so that I can thoroughly narrate my stories about human nature.

By distorting the scale in my work, figures have to interact with the domestic environment in unfamiliar ways and must rely on their basic instincts to survive. The home, an artificial human design, is the world in which they live. We take for granted the kind of impact we have on nature, but our views can change when we subtly adjust our scope of the world. The world we build is consequently the world we must live in.

web site: www.rickycolson.com

Ricky Colson