Ian Shults

click images for detail

<b>Birds of Prey</b>, 2010<br>Acrylic on panel, 40 x 60 inches<br><i>sold</i>
Birds of Prey

<b>Un Succes de Scandale</b>, 2010<br>Acrylic on board, 40x24 inches<br><i>sold</i>
Un Succes de Scandale

<b>Last Call (For Tracy in Accounts Receivable)</b>, 2010<br>Acrylic on board, 40x24 inches<br><i>sold</i>
Last Call (For Tracy in Accounts Receivable)

<b>My Body is a Cage</b>, 2010<br>Acrylic on board, 40x24 inches<br><i>sold</i>
My Body is a Cage

<b>The Afterschool Incident</b>, 2010<br>Acrylic on board, 36x48 inches<br>$2200
The Afterschool Incident

<b>Capture/Release</b>, 2010<br>Acrylic on board, 40x40 inches<br>$2300
Capture/Release

<b>Good Morning, Goodbye</b>, 2010<br>Acrylic on board, 40x28<br>$1800
Good Morning, Goodbye

<b>The Guilty Bystanders</b>, 2010<br>Acrylic on board, 40x60 inches<br><i>sold</i>
The Guilty Bystanders

<b>The Lying Game</b>, 2010<br>Acrylic on board, 40x60 inches<br>$3000
The Lying Game

<b>The Catbird Seat</b>, 2010<br>Acrylic on board, 40x60 inches<br>$3000
The Catbird Seat

<b>The Counterfeits</b>, 2010<br>Acrylic on board, 40x60 inches<br>$3000
The Counterfeits

<b>Fade to Blonde</b>, 2010<br>Acrylic on board, 30x48 inches<br><i>sold</i>
Fade to Blonde

<b>The Tenement Lady</b>, 2010<br>Acrylic on board, 24x40 inches<br>$1600
The Tenement Lady

<b>Blast of Silence</b>, 2010<br>Acrylic on board, 24x40 inches<br>$1600
Blast of Silence

<b>Desires of Human Resources II</b>, 2010<br>Acrylic on board, 40x60 inches<br>$3000
Desires of Human Resources II

Read The Austin Chronicle Cover Story here.

"Finish this sentence, sure, but then put the goddam paper down or step away from the screen and haul your ass up West Sixth to see this first show by local painter Ian Shults. That's the best advice we can give a fellow citizen right now, as the Workman Gallery decks its walls with the deconstructed vintage reprobates and swingers, all mid-century seersucker and clandestine hanky-panky, rendered in stunning acrylics by this hotshot with a brush and a brain."

-The Austin Chronicle, July 9, 2010

Ian Shults' paintings forge fine art and the profane to tell sordid tales of debauchery with a sly sense of humor. His paintings recall a bygone era when the sheen of the American Dream dulled, and subversive behavior of illicit drugs and kinky benders were swept under the rug. Ian spent eight years as the Lead Illustrator and Head Sculptor at Blue Genie Art, where his ideas and vision accounted for much of the look of the various sculptures and illustrations produced at the shop.

web site: www.ianshults.com

Ian Shults